Skip to content

About

I began my songwriting journey in the early 90s. Playing in a rock band suited my rebellious nature, and I approached commercial success and popularity with caution. My strengths were an ear for melody and a knack for playing with words. I created solely under the influence of inspiration, guided by musical intuition. For 10 years, I was convinced that this was the only way songs were made. One day, it hit me that the greatest joy I got was from writing songs. Shortly after this realization, I entered a period of self-reflection. I understood that without learning the craft of songwriting and composition techniques, I would not be able to compete with professional songwriters or achieve career fulfillment.

I began studying songwriting with educational courses from Berklee College of Music (2007). This was the first, crucial step. It opened my eyes to the existence of methodology—a set of rules and practical tips that gave my creative process a significant boost. Next, wanting to refine specific aspects of the craft, I pursued individual lessons.
John Braheny was a highly sought-after mentor for songwriters and songwriting teachers in the US. His workshops were attended by Diane Warren (the most awarded songwriter in the world), Stevie Nicks, Lindsey Buckingham (Fleetwood Mac), and many others. He wrote "The Craft and Business of Songwriting", a guide regarded as the "bible" among songwriters. He initiated and co-organized the Songwriters EXPO in Los Angeles for 17 years. He was my mentor for over three years (2008-2011). He evaluated songs, provided practical tips, and advised on artistic and professional matters. During this time, I began collaborating with renowned lyricists (James Grey, Lindsey Scott, Morten Maehre), and the songs we wrote together caught the attention of publishers in the international market.
My second mentor was Mark Cawley , a hit songwriter for artists such as Tina Turner, Joe Cocker, Chaka Khan, Spice Girls, Diana Ross, and many others. Mark taught me techniques for working on song lyrics, based on methods used by the greatest songwriters. 

The experiences I gathered during this fascinating 30-year journey shaped my songwriting and composition craft and equipped me with the skills necessary to teach the craft of songwriting.

luka_profil
Cekcyn-small

Testimonials

I’m pleased to have worked with Luk Dyakowski for several years. I’d like to think I’ve been responsible for helping him develop the finer points of his exceptional songwriting talents as well as the respectful delivery and educational value of the critiques I offered. I’d recommend him to pass along that respect and expertise to anyone. — John Braheny Author, "The Craft and Business of Songwriting" (3rd Ed) www.johnbraheny.com
I’m pleased to have worked with Luk Dyakowski for several years. I’d like to think I’ve been responsible for helping him develop the finer points of his exceptional songwriting talents as well as the respectful delivery and educational value of the critiques I offered. I’d recommend him to pass along that respect and expertise to anyone.

John Braheny
Author, „The Craft and Business of Songwriting” (3rd Ed) www.johnbraheny.com
I first met Luk via Skype a few months back and have thoroughly enjoyed getting to know him and to talk songwriting. He has a wonderful passion for writers as well a firm grasp of the ins and outs of songwriting and the music business. I think anyone who cares as deeply about a song as Luk would make a fine guide for writers trying to be heard! Nashville, Tennessee 7/27/12 — Mark Cawley Songwriter (Tina Turner, Joe Cocker, Billie Piper, Chaka Khan, Diana Ross and many more)
I first met Luk via Skype a few months back and have thoroughly enjoyed getting to know him and to talk songwriting. He has a wonderful passion for writers as well a firm grasp of the ins and outs of songwriting and the music business. I think anyone who cares as deeply about a song as Luk would make a fine guide for writers trying to be heard!

Nashville, Tennessee 7/27/12

Mark Cawley
Songwriter (Tina Turner, Joe Cocker, Billie Piper, Chaka Khan, Diana Ross and many more)
Współpracę z Panem Łukaszem Dyakowskim mogę jedynie polecić. Zamawiałam u niego piosenki w różnych stylach dla potrzeb serialu Blondynka. Dostarczałam teksty i wyznaczałam charakter kompozycji, które mają powstać. Wszystkie powstałe utwory bardzo nam się przydały. Praca przebiegała sprawnie i terminowo. Szczególnie chciałabym podkreślić znakomite wyczucie i umiejętne poruszanie się w rożnych kategoriach stylistycznych. Wykonawcy znakomicie odnajdywali się w wyznaczonych dla nich utworach, co świadczy o umiejętnym doborze środków muzycznych do ich możliwości. Warszawa 07.09.2020 r. — Dr hab. Małgorzata Przedpełska – Bieniek Profesor UMFC w Warszawie
I can highly recommend working with Mr. Łukasz Dyakowski. I commissioned songs from him in various styles for the needs of the TV series Blondynka. I provided the lyrics and specified the character of the compositions to be created. All the resulting songs were very useful to us. The work was efficient and timely. I would particularly like to emphasize his excellent sense of style and ability to navigate various stylistic categories. The performers felt perfectly at home in the songs written for them, which speaks to his skillful selection of musical elements suited to their abilities.

Warsaw 07.09.2020

Dr hab. Małgorzata Przedpełska – Bieniek
Professor at the Chopin University of Music in Warsaw
en_USEnglish